Video: Lee Landell (3rd❚third)
Photo: Anita Goes
Words: Anita Goes & JKriv
Brooklyn, 2025

From a young age, JKriv was a passionate music collector. Growing up when record stores sold cassettes, CDs, and vinyl side by side, he explored all formats — with his first purchases on cassette and a growing interest in vinyl taking hold in the early 2000s.

The idea to start his own label didn’t come immediately — for years, he was focused purely on playing and producing music. But about 12 years ago, as he began DJing more seriously, the concept emerged naturally: to create a platform for releasing his own tracks. That small spark grew into something much bigger –  Razor-N-Tape, a Brooklyn-based label that now stands as a respected home for modern disco, edits, deep house, and genre-blurring club tracks that reflect JKriv’s eclectic musical journey.

Jason, known artistically as JKriv, is a New York native who grew up about an hour north of the city in a suburban area where his family has long-established roots. For the past 25 years, he has called Brooklyn home.

JKriv’s path into music began early — around age 12 — when he picked up the bass and guitar, initially drawn to rock before gradually expanding his ear toward the grooves of ‘70s funk, soul, and eventually jazz. This wide-ranging musical curiosity laid the groundwork for what would become a deep love of dance music, disco, and the culture of the club.

For the past 10 to 15 years, he has produced the majority of his music from a compact home studio in his Brooklyn apartment. While the space isn’t designed for full live band recordings, it functions perfectly as his creative hub — a place where digital production and live elements come together organically.

Jkriv deep connection with Brazil began during his studies, when a jazz professor introduced him to Brazilian music through the lens of bossa nova and MPB. That early exposure led to gigs in a Brazilian jazz group in New York, a relationship with a singer from Rio, and eventually, several extended trips to Brazil in the early 2000s. Since then, Brazilian music and culture have become central to his life and work. Over the past seven years, he has performed annually at the MA Festival over New Year’s, using the opportunity to travel and collaborate across the country.

“I first got into Brazilian music through one of my jazz professors, who I also used to play with. He introduced me to it through the lens of Brazilian jazz and bossa nova — he was really into artists like João Bosco, Toninho Horta, and others in that scene. That was my entry point”.

JKriv’s collaborations with Brazilian artists have developed organically over time. Sometimes he discovers new talent; other times, they find him. One example is Diogo Strausz, a producer signed to Razor-N-Tape. Together, they’ve released music, created remixes, and are currently working on original material. These relationships are a natural extension of JKriv’s musical journey and reflect his openness to creative partnerships.

Looking ahead, he sees the future of Razor-N-Tape as a continuation of the label’s core mission: releasing high-quality music, supporting original voices, and building a global community. The physical shop in Greenpoint, Brooklyn, has become both a retail space and a cultural meeting point, reinforcing Razor-N-Tape’s role in the local and international music scene.

“I’ve seen the New York music scene change a lot over the years. From the early 2000s to now, it’s gone through different cycles — waves of growth, shifts in energy, and even changes in where things are happening geographically. Despite all of that, I still find the scene incredibly inspiring. There’s so much talent and creativity here; people are constantly pushing boundaries and doing amazing work.
Of course, it can be tough — it’s New York, after all. But even with that, I’ve found there’s a real sense of support and community among artists and musicians”.

When I asked JKriv how many records he owns, what’s in his collection, and whether he can actually find anything, his answer came with a big smile. “That’s a very good question,” he said. “I have around 2,000 records in my apartment, but a lot more in storage — this is New York, after all. You’ve got to stash some things away.”

The ones that matter most to him are kept close at home, and luckily, he’s just completed a full reorganization. “So yes,” he laughed, “I can find things when I need to.”

His personal listening collection — jazz, soul, some rock, and ambient — is especially well-kept, alphabetized and easy to access. The records he DJs with, however, are loosely sorted by genre and vibe. “I probably need an intern to help catalog those in more detail,” he joked. “But for now, if I need a record, I can find it.”

Jason is also part of a live group that performs at Public Records in Brooklyn. The concept behind the night is to blend live music and DJ sets into a cohesive club experience — something he felt was missing from the current scene. Inspired by the late ’90s and early 2000s in New York, when it was more common to see jazz and live instrumentation integrated into nightlife, the band — known as A Joyful Noise or The Joyful Noise Band — aims to revive that spirit with a fresh perspective.

Each night is recorded, and with over 20 sessions captured, Jason and the team are now preparing to release a record of select live performances next year.

Razor-N-Tape: @razorntape
JKriv: @jkriv
Lee Landell: @lee_landell
Anita Goes: @anitagoes